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The Guitarist Who Rocked the Texas Blues

The Guitarist Who Rocked the Texas Blues


Johnny Winter 1944–2014

When Johnny Winter started playing the rock circuit in the 1960s, he looked and sounded like nobody else. Tall and stick thin—with pink eyes, bone-white skin, and long white hair—he played blues guitar faster, louder, and more ferociously than any of his contemporaries. He’d fallen in love with the blues as a teenager growing up in Beaumont, Texas, where he was relentlessly bullied over his albinism. Winter sought sanctuary in the blues clubs on the edge of town and discovered that the black musicians he played with there never judged his appearance. “We both,” he explained, “had a
problem with our skin being the wrong color.”



Winter formed his first band, Johnny and the Jammers, at 15 with his younger brother, Edgar, on keyboards, and in 1968 was singled out by Rolling Stone as one of the stars of the Texas music scene. The following year, he signed with Columbia Records for $600,000—an unprecedented advance for a solo artist—and produced a string of hit albums that “set new blues-rock standards for speed and searing intensity,” said The Wall Street Journal. But a heavy heroin habit derailed his career in
the mid-1970s.

“After Winter got clean, he returned to his chief role”— celebrating the sound of the electric blues, said the Los Angeles Times. He produced three Grammy Award–winning albums by blues legend Muddy Waters in the late 1970s, and continued to record and tour until his death. In one of his final
interviews, he was asked how he’d like to be remembered. “Hopefully they’ll say I was a good bluesman,” he said. “That’s all I want.”

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The Broadway Actress Who Brought Sass to the Stage

The Broadway Actress Who Brought Sass to the Stage


Elaine Stritch 1925–2014

Elaine Stritch, the tart-tongued stage and film actress, was never shy about her fondness for a cocktail or two. “I love to drink,” she once said, “and it’s part of my life.” Stephen Sondheim wrote her signature song, “Ladies Who Lunch,” a vodkasoaked anthem from his 1970 musical Company, after Stritch was overheard instructing a bartender to give her “a bottle of vodka and a floor plan.” But throughout her decades-long battle with alcoholism—she stopped drinking in her 60s, only to take it up again in her 80s—Stritch’s professionalism never slipped. A 1970 documentary captures the actress struggling to perform “Ladies Who Lunch” for an album recording and screaming, “Oh, shut up,” about her own voice. When she returns to the studio the next day, Stritch nails the number in a single triumphant take. “You pull through these things,” she explained, “because you cannot quit.”

Born in Detroit, Stritch knew from a young age “that she wanted a show business career,” said The New York Times. Chafing at her devout Catholic upbringing, she moved to New York City at 17 and made her Broadway debut in the 1946 flop Loco. Stritch soon found her calling in musical theater, which was surprising, said the Los Angeles Times, because her singing voice was “affectionately compared to a car shifting gears without the clutch.” She won rave reviews for her been-there, done-that sass in musicals by Sondheim and Noel Coward, and Emmys for her guest appearances in TV’s Law & Order and 30 Rock.

But the high point of her career came in 2001, with the debut of Elaine Stritch at Liberty in New York City, which “became, quite simply, the bar-none standard set for theatrical solo shows,” said Entertainment Weekly. The production wove together showstopping tunes with anecdotes from a life in showbiz—including how her acting school classmate Marlon Brando stopped talking to her after she declined his invitation to go to bed—delivered with her trademark acerbic wit. “There’s good news and bad news,” she told her audience. “The good: I have a sensational acceptance speech for a Tony. The bad: I’ve had it for 45 years.”

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The Actor Who Put Brains Before Brawn

The Actor Who Put Brains Before Brawn


James Garner
1928–2014

James Garner was the original American antihero. A 6-foot-3 Korean War veteran with a matinee idol’s rugged good looks, the actor specialized in playing characters like TV’s Bret Maverick and Jim
Rockford, who eschewed guns and violence and won the day through a combination of scheming and
self-effacing charm. Garner exhibited the same wily talents offscreen. In the 1980s, he sued Universal for cheating him out of profits from The Rockford Files and won an undisclosed sum, reportedly in the tens of millions of dollars. “I can’t legally comment on that,” Garner said of the figure. “But I can say that for a week or two afterward, [my wife] Lois had to keep telling me to wipe the grin off my face.”



Born in Norman, Okla., James Scott Bumgarner left home at 14 and drifted from job to job, working as a waiter, a golf ball retriever, and a lifeguard. He was drafted for the Korean War in 1950 and was awarded the first of two Purple Hearts on his second day in action. Returning to the U.S. in 1952, Garner “became an actor more or less by accident,” said The Wall Street Journal. A friend got him a nonspeaking role in a play starring Henry Fonda, and Garner soon signed a studio contract with Warner Bros. and was cast as the gambler-rogue hero of the TV Western Maverick. “The upstart series’s tongue-incheek formula worked,” said the Los Angeles Times, and within months the program was topping the ratings.

Garner took a “Machiavellian delight in studio politics,” said The Daily Telegraph (U.K.), and abruptly left Maverick in 1960 after becoming involved in a writers strike. He sealed his reputation as an off-center iconoclast in 1974 with his role as a cranky private detective in The Rockford Files but left that show after six seasons amid a dispute with Universal. In 1984, he “gave what was arguably
his best performance in Heartsounds,” a TV film documenting a doctor’s death after a series of
heart attacks. Garner remained a reluctant hero to the end. Receiving the Screen Actors Guild’s
lifetime achievement in 2005, he quipped, “I’m not at all sure how I got here.”

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